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Far East Family Band: Nipponjin - Join Our Mental Phase Sound (1975)     Reviewer: Ben Miler | See all reviews by Ben Miler Section: Reviews | Category: Music | Area: Japan | Topic: Music
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Far East Family Band spawned the careers of three guys. Their names being Fumio Miyashita (who often released his albums under simply the "Fumio" name), Akira Ito, and most of all, Masanori Takahashi. Maybe you might not know Masanori Takahashi by that name, but you know him as Kitaro, the prolific New Age artist of the 1980s and 1990s. But what Far East Family Band did in the 1970s was not New Age at all, but mainly progressive rock, with the occasional Japanese influence. Nipponjin is the band's second album and contained remakes of songs from their previous album, The Cave - Down to the Earth (1975), and Far Out (1973), an album from Fumio Miyashita's previous band, Far Out. Klaus Schulze also produced Nipponjin, and you can hear some of his influence, particularly on "Undiscovered Northern Land". That piece mainly consists of droning, with some bamboo flute and Mellotron. The album's real centerpiece is without a doubt, the title track. It starts off rather mellow, complete with electric sitar, with vocals (in English), but then the album kicks in with a killer guitar jam, eventually the band starts chanting "Om", as well as repeatedly chanting something in Japanese. Some of the mid-tempo parts of this song justifies why FEFB is regarded as the Japanese Pink Floyd. A totally amazing song! The next song, "The Cave" is the FEFB sound in a nutshell. I especially like the intense middle part where they start singing in Japanese. A lot of the rest of the album consists of experimentations segued in to songs, such as the mellow "River of Soul". The final song, "Mystery of Northern Space" tends to be a bit more dramatic, especially in the guitar department, plus there are real strings used here. Regardless, a great album if you like Pink Floyd-like space rock with a Japanese twist.
More Info - Fumio Miyashita: guitar, keyboards, vocals - Akira Ito: keyboards - Masanori Takahashi (Kitaro): keyboards, percussion - Hirohito Fukushima: guitar, vocals - Akira Fukakusa: bass - Shizuo Takasaki: drums
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Visitor Comments about Far East Family Band: Nipponjin - Join Our Mental Phase Sound (1975)
Posted by JOHN F. on 2004-10-27 06:22:29 My Score:    
Comment: Nipponjin is Cave Down To The Earth shuffled around. I enjoy CDTTE more because it has an earthy sound. I own a total of 5 cd''s from this band. If only there were a live performance available. Most enjoyable!
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Posted by Ben Miler on 2004-02-01 06:39:49 My Score:
Comment: Since purchasing this album, I had since purchased the CD reissue of the Far Out album from 1973. This CD reissue had a bunch of bonus cuts as well. The Far Out album had two side length cuts, "Too Many People" and "Nihonjin" (mainly sounding like a largely synthesizer-free and more guitar-dominated version of the Far East Family Band sound). "Nihonjin" is the original version of the title track off Far East Family Band''s Nipponjin. The original is exactly the same, except without any Mellotron or synthesizers. The original proved how effective it was without the electronics, so the version off Nipponjin - Join Out Mental Phase Sound with the added-on electronics and Mellotron was simply icing on the cake. The Far Out CD reissue I have (on the German Buy or Die label) had several bonus cuts, which were all apparently off Far East Family Band''s The Cave: Down to the Earth. All these songs were sung entirely in Japanese, including the songs that were re-recorded in English on Nipponjin. The two songs not on re-recorded for Nipponjin were "Four Minds" and "Transmigration". "Four Minds" sounded like cheesy Japanese pop and not one of their better moments, while "Transmigration" was luckily much better.
By the way, if you enjoy Nipponjin, get Far East Family Band''s following album, Parallel World (1976) without hesitation! It''s a much more electronic album, combining the prog sound with Klaus Schulze-style electronic music (Schulze produced this album as well!) and pretty much avoiding the ballads of their other albums (except for "Kokoro"). The 30 minute title track is totally killer!
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