"The relationship between rock and revolution is granting that most musicians are a bunch of avaricious ass-sucking dogs, and most of the song writers (too), myself in many ways included. It's the form or the intention, or the implications of the music that make it interesting to the revolutionary. It's a tool and a tactic for getting children to revolt against the protoplasm that raised them and consider other forms of government, other forms of dealing with the situation. When you coordinate and liberate and release the sexuality and the minds of youth, and can twist it and change it toward a different goal and direction, via rock 'n roll, via fucking in the streets, via dope, via action, direct action ... then you can maybe push this country and we can rewrite the whole structure, based on the kind of energy released by rock 'n roll."
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